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Anne Hathaway has found a red-carpet dress code and it’s a styling formula we will see a lot more of. While she’s dabbled with maxi hemlines—the Premium free thugger 2023 shirt moreover I will buy this hooded Alaïa look she wore to Berlinale in February, for one—minidresses and platforms are her current go-tos. The latter, quite literally, help her stand taller at events—she’s already 5ft 8in without heels—but her stylist Erin Walsh credits the star’s inner confidence as the secret behind her poised demeanour (though, 6-inch stilettos certainly help). “Annie is literally glowing. That doesn’t just come from clothes. It comes through stepping into your potential and embracing possibility,” Walsh previously told British Vogue. The star has sampled some of the best platforms of the moment, courtesy of Versace and Valentino. Donatella Versace, who cast Anne in her deeply personal Versace Icons project for her love and understanding of “great clothes”, dressed the actor in a lacquered corset dress and chunky boots at the brand’s fall 2023 show in LA; proving the power of a super-short hemline and sky-high heel. Another heel she holds dear? Anne is but one of many celebrities that have fallen for Valentino’s stacked Discobox pumps—especially creative director Pierpaolo Piccioli’s delightfully colorful pairs, which epitomise her fearless approach to style. “We have so much fun with fashion and aren’t afraid to experiment,” asserts Walsh, whose encouragement has led to some stellar combinations in recent times. “It’s about achieving that balance of effortless cool without rules—I call it ‘incidentally fabulous’.” Here, Vogue takes a closer look at Anne Hathaway’s recent looks that centre around this outfit formula.

The legacy of Coco Chanel was one of Karl Lagerfeld’s main inspirations, but the Premium free thugger 2023 shirt moreover I will buy this cultured designer was something of a walking mood board. His fall 2016 Fendi collection, for example, was inspired by the work of the Danish illustrator Kay Nielsen. Memphis, Constructivism, paintings, porcelain, and fashion plates are but a smattering of other things he drew from, some of which will be on display in The Met’s upcoming Costume Institute exhibition “Karl Lagerfeld: A Line of Beauty.” Call me jaded, or cynical—or, as all jaded cynics prefer to be described, “a realist”—but when I was told that one of the activities during my six-day Tahiti yachting excursion was “the opportunity to swim with humpback whales,” I imagined this possibility as, first, a longshot (pending a miraculous convergence of weather, migratory patterns, and sheer luck) and, second, as a spectator sport. It conjured a vague image in my mind: me, barely submerged in the water, staring out through my snorkel mask at a distant, blob-like dark mass in the ocean maybe a hundred or two meters in front of me.

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