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Mononazo - Nice utvolshop daddiesburg 2023 shirt

  • Ảnh của tác giả: mono nazo
    mono nazo
  • 15 thg 6, 2023
  • 2 phút đọc

At the Nice utvolshop daddiesburg 2023 shirt moreover I love this premiere of Martin Scorsese’s Killers of the Flower Moon, Indigenous star Lily Gladstone earned a nine-minute standing ovation—and her floral-printed Valentino gown was just as worthy of applause. Even better is how she accessorized with a pair of dentalium shell earrings, by the Indigenous designer Jamie Okuma. At the May December premiere, Natalie Portman shined in a recreation of Christian Dior’s iconic Junon gown from 1949, featuring ornate beading and a scalloped skirt. Sculptural silhouettes continued to dominate the Cannes carpet this past week. Elle Fanning also turned heads at the Killers of the Flower Moon premiere in Alexander McQueen’s custom-made orchid dress, done in pink tulle and beads. At the Last Summer screening, French singer Yseult opted for Balenciaga’s puff-shouldered gown covered in strass crystals. “I like my looks to be structured yet fluid,” she told Vogue. “I also like to play with the curves and pleats of my body, and to exaggerate and amplify its lines.”



Model Elsa Hosk, meanwhile, chose a surreal Viktor & Rolf gown for the Nice utvolshop daddiesburg 2023 shirt moreover I love this La Passion De Dodin Bouffant premiere this weekend. It featured an asymmetrical, optical-illusion bodice that hung off the body; it’s the type of double-taking statement look that Cannes is all about. Below, see all of the 27 best dressed stars at this year’s Cannes Film Festival. Which were your favorite fashion moments of this year’s ceremony? Be sure to vote below, and check back to see which look is the ultimate best dressed of Cannes.Which looks were your favorite? Cast your vote. The night before Bottega Veneta debuted the latest iteration of its cultural-exchange series, The Square São Paulo, creative director Matthieu Blazy took a break from the dance floor to talk. “I feel like a kid the night before a holiday,” he said. The setting was a house party chic enough to defy that description but charming enough to earn it: Behind him, a dining table heaved with traditional decadent Brazilian fare; around him, a crowd of local artists, collaborators, and friends clad in his designs spun and sang his praises; and in front of him, the famed Brazilian singer Mart’nália crooned, backed by her band. But the pleasure Blazy anticipated was atypical to those usually afforded the international fashion darling and certainly more abstract. Tomorrow he was going to align the world of his Bottega Veneta with that of the famed Brazilian modernist Lina Bo Bardi.


 
 
 

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