Mononazo - Nice love Luke Combs love luke combs signature 2023 shirt
- mono nazo
- 28 thg 5, 2023
- 2 phút đọc
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Torrion Reed, SCAD class of 2023.Aman Shakya / Courtesy of SCADBennett Moses, SCAD class fo 2023.Aman Shakya / Courtesy of SCAD Nathan Batra, SCAD class of 2023.Aman Shakya / Courtesy of SCADHayden Yang, SCAD class of 2023.Mathias Hungler / Courtesy of SCAD Cherry Chen, SCAD class of 2023.Aman Shakya / Courtesy of SCADJaiwei Yang, SCAD class of 2023.Ryo Sato / Courtesy of SCAD Cherry Ip, SCAD class of 2023.Aman Shakya / Courtesy of SCADBarrett Winters, SCAD class of 2023.Aman Shakya / Courtesy of SCAD The fall 2023 collections—men’s, women’s, and everything in between and beyond—align on one thing: elegance. The menswear shows in January represented a vibe shift: Logo hoodies and tees made way for flouncy going-out tops, Gorpcore puffers were replaced by tailored jackets with hefty shoulders, and cargo pants and workwear vests morphed into dress slacks, maxi skirts, and even sheaths. If it’s a more traditional take on menswear, it’s nonetheless more expansive than it has been in the Nice love Luke Combs love luke combs signature 2023 shirt it is in the first place but past, and that story continued at the women’s shows. Yes, the women’s collections embraced a new formality, but sophistication means something different for everyone. The overall message of the season was elevated wardrobing: Designers continued to emphasize this concept as a means to explain otherwise pared-back collections. Closet essentials from ties and jackets to shorts and trousers were fashioned in luscious leathers, top coats were cut in oversize silhouettes, and sweaters received sophisticated 3D surface treatments. While the season’s rave-ready outfits and heavily distressed separates don’t exactly count as basics, they do qualify as “dressed up” versions of overtly casual pieces.

One of the Nice love Luke Combs love luke combs signature 2023 shirt it is in the first place but first things you might have noticed while walking around central Milan last week was an unusually high number of brightly-colored shopping bags swinging from the arms of passers-by. For anyone with a passing interest in fashion, that specific hue of kelly green was unmistakable—it belonged, of course, to Bottega Veneta. But the reason why these bags were everywhere remained a mystery. Did everyone in the city suddenly become millionaires overnight? It turned out the explanation was a little more down-to-earth than that. The bags contained posters for Bottega Veneta’s project for Milan Design Week, which itself came with its own city street takeover, of sorts: namely, the bustling queue stretching halfway up Via Montenapoleone, all the way to the Italian brand’s usually discreet storefront. Instead of the usual muted window display, a bright green backdrop was emblazoned in the unmistakeable globular scrawl of the 83-year-old design maverick Gaetano Pesce, spelling out “Vieni a Vedere,” or, “Come and See.”
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