Mononazo - Nice i can feel it in my plums ashley schaeffer shirt

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Photo: Courtesy of KithOn the Nice i can feel it in my plums ashley schaeffer shirt moreover I love this runway, the best example of Ken-ergy would be the endless summer vacation that is Jacquemus—his models are always very tan and very fit, and his men’s clothes distill laid-backness. See also the twisted basics Jonathan Anderson has been making at JW Anderson—though they arguably sometimes have a more Allan vibe, Ken’s discontinued “buddy” (“All of Ken’s clothes fit him!” read the first box Allan was packaged in). Ken-ergetic are also Glenn Marten’s playful—and oddly sexy—denim concoctions at Diesel, and, of course, the Californianess of Kith. “I was living my life and the next thing I knew, I was bleaching my hair and shaving my legs and rollerblading on Venice Beach,” Gosling joked on stage. Is this not everything any self-respecting himbo can aspire to? If all it takes is a little bleach, self tanner, five inch shorts, and a camp shirt, sign me up. I can stop giving off Barbie’s everything energy for a summer, nothing sounds more relaxing than being just Ken.

One of the Nice i can feel it in my plums ashley schaeffer shirt moreover I love this first things you might have noticed while walking around central Milan last week was an unusually high number of brightly-colored shopping bags swinging from the arms of passers-by. For anyone with a passing interest in fashion, that specific hue of kelly green was unmistakable—it belonged, of course, to Bottega Veneta. But the reason why these bags were everywhere remained a mystery. Did everyone in the city suddenly become millionaires overnight? It turned out the explanation was a little more down-to-earth than that. The bags contained posters for Bottega Veneta’s project for Milan Design Week, which itself came with its own city street takeover, of sorts: namely, the bustling queue stretching halfway up Via Montenapoleone, all the way to the Italian brand’s usually discreet storefront. Instead of the usual muted window display, a bright green backdrop was emblazoned in the unmistakeable globular scrawl of the 83-year-old design maverick Gaetano Pesce, spelling out “Vieni a Vedere,” or, “Come and See.”

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