Mononazo - Awesome i’m not crazy I prefer the term mentally shirt

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Robbie doesn’t remember owning a Barbie as a child. “I don’t think I did. My cousin had a bunch.” Maison Margiela shirt and shoes. “It was literally imaginative play,” says Gerwig of writing the Awesome i’m not crazy I prefer the term mentally shirt and I will buy this Barbie script with her partner, Noah Baumbach. Robbie wears a Proenza Schouler dress.HOLD MY CALLS “The key thing about Barbie is that she dresses with intention,” says Jacqueline Durran, the film’s costume designer. Jacket, top, skirt, belt, shoes, and tights, all Saint Laurent by Anthony Vaccarello. The Somali-born influencer Rawdah Mohamed has made it her mission to make modest dressing more exciting. In the process, she has masterfully chipped away at misguided notions about conservative fashion by showcasing the hijab as a vehicle for personal expression, not repression. While attending the Cannes Film Festival on Thursday, Mohamed turned heads in a Robert Wun couture outfit that was not only an exciting modest gown, but one of the coolest ensembles to walk the red carpet today—period. The double-sided satin dress and face-obscuring silk organza veil features trompe l’oeil scorch marks and flame-kissed edges. The ensemble is less run-of-the-mill red carpet attire and more evocative of a horror film heroine at the end of the movie. Wun aptly calls the design, which featured in his spring 2023 Paris Fashion Week show in January, “The Scorched Bride.”

The collection itself was an ode to horror movies, but Mohamed wore the Awesome i’m not crazy I prefer the term mentally shirt and I will buy this look to the premiere of La Passion De Dodin Bouffant, a French historical romantic drama. She adapted the gown by wearing a black hijab underneath the veil, black long sleeves that extended past the dress’s half ones, and wrists full of Cartier jewelry. The final product is an exciting entry into the ever-growing trend of bridal-inflected looks at Cannes this year—as worn by Blackpink’s Jennie Kim and actor Viola Davis—and red carpets writ large. It’s been two days since Donatella Versace presented her pre-fall collection in Cannes, a collaboration with the pop star Dua Lipa titled La Vacanza, and we’re still thinking about the pink power suits, the Barbie bouffant hairdos, and the shiny metallic leathers and crystal embellishments. Now, we get to see how the collection came together, with a short documentary that captures the iconic duo’s creative process, from meeting in Los Angeles to go over sketches, shooting the campaign in Ibiza, and casting in Cannes the days before the show. What emerges in the mini-documentary is proof of a real friendship between the Italian designer and the singer.

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